To Make Video Look Like Movie – Digital Filmmaker’s Guide

You have your script. You have your camera editing software and computer. It has a crew actors, and some places. Now the filming of his film “digital” begins. Although the “process of the film” described here uses the word “film”, what really speaking is the project in general, not the reasons by which they are based. In recent years, many traditional filmmakers have made the leap from film to digital video like many television series. The reasons are clear: even using the highest quality digital video formats available, the cost savings in the traditional 35mm film set should not be ignored, and the fact that many traditional film shoots use an “intermediate” Digital “(in an elegant way that the frame-by-frame movie is scanned in a series of digital still images) to provide color correction, add special effects (if necessary) and, in the case series regular television, Tape or disc and do not watch the movie again.

In the world of independent cinema, these recent changes have a great impact on the ability to pay production. Prosumer digital video cameras ranging from $ 1,000 to $ 10,000 offer clear and clear images. Software and publishing software also provide single source solutions, not only for image editing, but also for color correction, special effects, mixing sound and creating DVDs. There are a few years, an independent film shot in 16mm color film would have huge costs simply by renting / purchasing an appropriate camera; The cost of a film (400 feet coils over $ 90 each), treatment, cost reduction and negative color correction, and all this even if we choose to come out in the video and editing final images out there (Mariachi de A Robert Rodriguez. “) Now, a single mini-DV tape that costs around $ 4 can record up to an hour of movie. To edit without needing to capture bands however a fact remains – always shoot “video” and, unfortunately, the video does not look like “movie” There are several reasons:

FREQUENCY

The movie is shot at 24 frames per second (fps); The video was shot at 30 fps (although standard video is interlaced, ie each image is composed of two fields, which are analyzed at even / odd intervals, looks rather like 60 fps). Additional video images provide more detail in the movement of an object or a person, which makes the picture more realistic in nature. However, as a society, we have become so accustomed to the film’s aesthetic of 24 frames per second that the video does not create the “suspension of disbelief” “When we look at it.